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about
Surrealist Period Drama Pop Journey
composed during the band's residency at Treignac Projet
and in Amsterdam.
artwork by Fréderique Gagnon
lyrics
Ever since 1983...
It's like we never left 1983,
In terms of musical drama
Bi-lateral karma and harmony
Still pullin' from 808's a monotone melody
Dreamin' up cocained beats 'n livin’ life on serotonin explosions plz
Britney at breakfast at lunch some Rihanna
But After yoga I'm nada ..
Ever since 1983
It's like we never left 1983
Stuck in a fantasy
livin' the dream
Sendin’ to outer space the waves thru the TV screen
Jamaica channelin’ pre-Christianity, to guarantee the immunity
The eunuchs in tunics they playin’ tunes in their plimpsil pumas
They pedellin' herbs 'n tea
Ever since 1983
It's like we never left 1983
Stuck in a fantasy
livin' the dream
lipsyncin' for life it seems
raisin’ the bodyheat, discordance and boredom at the core of curricula got them snortin' sequins ‘n spacin a lot 24-7, 4:20-o'clok,
Exeter, 2020 Cindarellas’ in tulle descendin’ the banistry barefeet snort sum more sequence and get in the cannabis jeep
ride 2 the ocean w me
ride 2 the ocean w me
ride 2 the ocean w me
ride 2 the ocean w me
Ladies, Welcome to the Sanctuary Bordello Bar with some of the finest longhaired lovers in the history of western music !
I don’t fuck w late Sabbath, cus I like my Ozzy
Led Zep’s great, but Plant is not my cake
What care I for Danzig or the frontman o’ Negativ (lies)
hmm, but I’d hit that guitarist, (cute af)
swimmin' in azure w my French derrière
I’d give that Isle-of-white fender somethin’ to tremolo
‘t was her first mirage to be under water
She gasped for air then lit a light Marlboro
And they backstroked back to black shores to chat where fit boys took turns on each other for a knickknack
Ever since 1983
It's like we never left 1983
uh-hu uh-uh uh-uhu huh-uh-uh
credits
released December 4, 2021
vocals: Cécile Tafanelli, Daniel Vorthuys, Charlott Weise, Dan Walwin
synths: Cécile Tafanelli, Charlott Weise
Drums: Dan Walwin
lyrics by Daniel Vorthuys
mixed in Treignac Projet, France and Amsterdam by Cécile Tafanelli and Sam Basu
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